Art and originality in the form of a single-copy sofa
This special sofa is the result of eight years of effort, testing, and experience in the world of design and construction. Every detail has been carefully and obsessively chosen, from special woods to premium raw materials, to provide an unparalleled experience of comfort and beauty. This work is not just a sofa, but a combination of art, emotion, and unique carpentry techniques displayed in a unique and unique format.
Ali Asghar Mortezaei |
Single Version Sofa Creator
Ali Asghar Mortezaei, an artist and carpenter with more than three decades of experience, started his path with a love of wood and art. From the very first years when he learned the basics of carving in Malayer, he was attracted to the wonders of the art—the smell of wood, its natural textures, and its motifs drew him into a timeless world of creativity. But what kept him steadfast in this direction, Enthusiasm for Achieving Results It was a motivation that, like a strong engine, led him to create unique works.
The most important achievement of this love and effort, Single version sofas which are the result of Eight years of continuous work They are a combination of the art of carving, calligraphy, and Persian literature. Inspired by Hafez's eternal poems, for the first time in the world, he also engraved the English translation of these poems on the body of the sofas to create a bridge between Iranian culture and the world.
Mortezaei wanted to create a work that would not only be technically and executively perfect, but would also enchant every viewer; A sofa that anyone who looks at will be fascinated by it and want to sit watching it for hours. This work is not just a piece of furniture, but a story of love, art, and years of experience that has been carved into the heart of wood and has remained immortal.
Exhibiting works in countries
About me
I started my activity in the art of carving in 1994 and learned the basic principles of this art from a relative in Malayer. Experience has been my main teacher and over the years I have been able to improve my skills and create unique works. My love and interest in wood and the art of carving was formed in me from the very first years, and through continuous practice, study, and review of the works of prominent masters, I was able to achieve a deep understanding of this art.
Over the years, I have not only improved my technical and technical skills, but also gained a deeper understanding of the philosophy and meaning of carving art. For me, carving is not just a profession or skill, but a way to express the feelings, thoughts, and concepts that have formed in my mind over time. Every piece of wood has a story to tell, and as an artist, I have a mission to pull these stories out of the wood and display them.
The art of carving is a combination of precision, patience, and artistic flair that has evolved over the years. By exploring the history and culture of Iranian wood arts, I have tried to stay true to the originality and beauty of this art while incorporating innovations into it. Interacting with other professors and artists, participating in various exhibitions, and viewing valuable works have always inspired my artistic path and led me to new experiences in this field.
Ultimately, what has kept me on this path is not only my inner passion for art, but also the positive feedback I have received from my audience. Seeing the impact of my works on others and touching their emotions and aesthetics has provided a double motivation to continue on this path.
Exhibitions & Honors
Over the years, I have participated in various domestic and international exhibitions, including in France (Paris), Algeria, Kazakhstan (Almaty), Kyrgyzstan (Bishkek), Indonesia (Jakarta) and India (New Delhi). I also held an online exhibition in the United States. In many of these events, my works have been appreciated and admired.
Outstanding works
One of my most prominent works is two completely unique sofas that took 8 years to create. This art collection is a reflection of the fusion of modern aesthetics with ancient Iranian traditions, displaying an embodiment of elegance, skill, and depth of meaning.
The purpose and motivation of my attachment to the art of wood and carving is the driving force behind the creation of my works. The scent of wood, the coherence of lines, and the process of creation have always led me to complete new artistic projects. In addition to visual beauty, my works carry deep messages from Hafez's poems that invite the viewer to reflect and think.
Audience and sales of my works I sell my works through advertising in cyberspace. My audience is people who are interested in beauty, art, and high human concepts and understand the value of Hafez's poems.
Purpose and motivation
My attachment to the art of wood and carving is the driving force behind the creation of my works. The scent of wood, the coherence of lines, and the process of creation have always led me to complete new artistic projects. In addition to visual beauty, my works carry deep messages from Hafez's poems that invite the viewer to reflect and think.
Audience and sales of my works I sell my works through advertising in cyberspace. My audience is people who are interested in beauty, art, and high human concepts and understand the value of Hafez's poems.
Work Features & Tools
My works, especially the Quranic paintings, have a unique characteristic: all the elements, from the frames to the Islamic motifs and letters, are carved on a single piece of integrated wood. In the field of furniture, for the first time in the world, I have engraved Hafez's poems on wooden pieces along with English translations, which is an artistic style.
The inspirations and work techniques of my background in calligraphy have had a profound impact on my artistic style. Among the prominent professors, I have been most influenced by the works of Professor Kabuli Khansari. In creating my works, I use the combination of power tools such as drills, mills, and saws, with traditional tools such as caves, carving hammers, and scrapers. The techniques used include inlay, lattice, mosaic inlay, and engraving
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